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He was first formed as an icon painter in Byzantine tradition; then moved to Venice to become a painter of the Venetian School. Mercy killing small essay Mercy killing small essay, essay writers world my best friend essay in english words disruptive students essay about stereotype soybean research papers fgcu university colloquium essay a love you critique essay does america have internet censorship essay mla citation within the essay.
El Greco was born Domenikos Theotokopoulos in Crete in Christ carrying the Cross Ca. It seems likely according to M. Christ carrying the cross el greco essay 4 stars based on reviews. His eyes are indeed the key element of the painting that makes it so be fitting to the Ignatian method of Prayer.
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The best way to communicate to the illiterate was undoubtedly through art. His eyes are the key element of the painting as they express so much emotion. El Greco transformed the image of Christ from weighed down and in pain from the heavy cross to one that is calm and ready to face his fate.
To add to this, his gaze up to Heaven suggests that he looking to God, which puts emphasis on the religious side of the use of art. He moved to Venice Crete had been a Venetian territory for three centuries in and became a disciple of Titian.
It was difficult to sell the remaining paintings from his studio.
In his pictures humanity runs wild, and the heart takes over the head. The subject—popular in the Counter-Reformation and thought to symbolize the revelation of true faith—is depicted by El Greco with a truly Venetian palette of Veronese saturated blue, strawberry pink, and lemony yellow.
This imagery was already a very important element of Catholicism before the Counter Reformation, and happened to be one of the areas criticised by the protestant uprising, therefore resulting in the Council of Trent addressing this issue and imposing regulations on Imagery.
A few known examples of his work in Greece exist, which foreshadow the non-naturalist style and elongation of the human figure that would later hallmark his genius.
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The compositional similarities in the two masterpieces draw a line directly from El Greco to Cubism. An outsider certainly by birth, but also in style, the painter, centuries after his lifetime, is thought to have captured the spirit of Spain more than any other artist, Spanish or otherwise.
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He holds His cross with both His hands and allows it to rest on His shoulder.
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But want caught my eye was the painting by El Greco - Domenico Theotocopoulus entitled Christ Carrying The Cross El Greco (meaning “the Greek”), born Domenikos Theotokopoulos, is widely regarded as one of the foremost painters of the Spanish Renaissance.
His paintings are renowned for their spiritual intensity and use of radically foreshortened, elongated figures, depicted in often brilliant, unnatural flesh tones.
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Ampla essay writing strong. Thus, El Greco's image of Christ bearing the Cross, extravagant as it might be for modern taste in its honeyed, comfortably pious, and dramatized sentimentality, must have had a totally different effect on those of El Greco's contemporaries in Toledo then so influenced by Levitical and Jesuit thought for whom this icon was made.
Mar 26, · To example this, let’s look at El Greco and his Christ Carrying the Cross. The painting doesn’t simply illustrate the story of Christ Carrying the Cross. In accordance to the Ignatian method of prayer it stimulates the viewer spiritually: It is pious and sentimental, making a spiritual impact on the viewer, especially at a time of prayer.
El Greco (Domenikos Theotokopoulos) and Workshop, Christ Carrying the Cross, ca.
–87, oil on canvas; El Greco, View of Toledo, ca.oil on canvas; El Greco, The Adoration of the Shepherds, ca.oil on canvas.Download